Vamos a ir a Sudafrica

Mexican broadcasters are no different from their Euro-American counterparts, in peddling outdated stereotypes about Africa.

The 2010 World Cup mascot, a stuffed lion. Image: Jennifer Su.

It doesn’t matter where you are or are from, Africa can’t win. And Europe and North America (and Australia) don’t have a monopoly on peddling outdated stereotypes of the continent and its people. In yet another “original” 2010 World Cup promo, we find actors and newscasters from Mexico’s Televisa network “on the way to South Africa.” And no, they’re not lost—they’re in Africa, where you find only animals roaming through the bush and “The Lion Sleeps Tonight” is on repeat. The big laughs come at 0:39 when Enrique Burak, apparently well-known for commenting on sports outside of his expertise, is eaten by a crocodile. The dialogue that follows translates as such:

“What now?”

“Well, he didn’t know that much about soccer anyway, right?”

“Ahh, good point.”

According to the Los Angeles Times, the strategy for these promos (you can view another, which is worse, here) is to showcase familiar faces from Televisa in a setting that evokes Africa for typical viewers, which would include that sunset, that wildlife, that look, let’s say, of an African safari. Says Guillermo Roman, marketing director for Televisa Sports, “We’re conscious that there is much more complexity” in South Africa. “Yes, there is cliché, but this is more about getting a smile from people, creating goodwill, so that after that, they see the depth of our work.”

The depth of their work remains to be seen.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.