Akon’s Africa

The Senegalese-American crooner's uninspiring "Oh Africa" reminds of bubblegum South African pop from the 1980s.

Akon and Keri Hilson in a still from the music video for Akon's "Oh Africa" song.

The R&B singer, Akon has released his own 2010 World Cup song with the original title “Africa.”  Akon is the second R&B or rap artist in the last who has a song that is World Cup related. The other, K’naan, saw his song about refugees and war commandeered by Coca Cola. We are still waiting to see how Coca Cola’s desire to sell a lot of sugary drinks (with little regard to the health consequences like diabetes, obesity) will clash with K’naan’s lyrics.

As for Akon, he is joined by the singer, Keri Hilson, dressed in a zebra top (it’s Africa, remember).  In the music vodeo, two world class footballers (Didier Drogba and Fernando Torres) kicked balloon balls that explode into splashes of paint which, magically, morph into portraits of other soccer stars (Messi, Kaka, etcetera). This may be enough to excite some people, but  the song sounds a lot of like the stuff South African singer P J Powers or the apartheid Ministry of Information would come up with during the Info era.

I’ll take a pass.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.